Interview: Dougy Mandagi on Starting Anew with BLOODMOON’s Stunning First EP, Giving Up Air

There’s a moment in BLOODMOON’s dreamlike debut single where the past collides with the present, where heart and soul meet in one powerful breath, and suddenly everything clicks. “Giving up air, laying it bare,” BLOODMOON better known as Dougy Mandagi (frontman of ARIA Award-winning band The Temper Trap) sings with urgency and longing, his voice carrying both vulnerability and determination. It’s as if he’s peeling back every layer for the world to see, hear, and feel: “Hoping my dreams will reappear, when everything I know is hanging on a prayer…” It’s a strikingly intimate moment, and it perfectly sets the emotional tone for his debut EP. Giving Up Air is a lush, deeply expressive introduction, weaving atmospheric electronic textures with tender vocals and unguarded lyrics to create music that invites you to step in, drift away, and lose yourself for a while.

Disarm my heart
Disarm, lay it down
All of the visions of you are fading
Where have they gone and
This house feels like it’s sinking

Ooohhh, feels like it sinking
Ooohhh, it’s hard to breathe in

Giving up air
Laying it bare
Hoping my dreams will reappear
When everything I know is hanging on a prayer

– “Disarm,” BLOODMOON

Giving Up Air – BLOODMOON

This is the start of something remarkable. For Dougy Mandagi, BLOODMOON represents a creative rebirth that has been slowly taking shape for years. “Until now, I’m most known for being the voice behind ‘Sweet Disposition.’ Some people might be stoked with that title, but I honestly have always had a chip on my shoulder about it,” the Indonesian-born singer, songwriter, and multi-instrumentalist tells Atwood Magazine.

BLOODMOON © James Adams

Mandagi first formed The Temper Trap with friends Jonathon Aherne and Toby Dundas in Melbourne back in 2005. The group eventually moved to London, releasing three albums between 2009 and 2016. Two of those 2012’s The Temper Trap and 2016’s Thick As Thieves topped Australia’s charts. Their debut, 2009’s Conditions, was a breakout success, delivering hits like “Sweet Disposition,” “Love Lost,” and “Fader,” and securing its place as one of the defining indie rock albums of the late 2000s and early 2010s.

“I want to be known as an artist, not just some guy with a good falsetto,” Mandagi says. “My goal was just to express myself in a new creative way and in a different musical context. BLOODMOON sounds more like an open frontier to me… It means a new beginning, a blank canvas to explore creative ideas that I otherwise wouldn’t be able to in The Temper Trap.”

BLOODMOON truly marks a clean creative slate for Dougy Mandagi a sound and lyrical style that stand apart from anything he has done before. Here, he leans into hypnotic beats, cool electronic loops, and a moody, soul-stirring atmosphere. His time living in Berlin over the past six years immersed him in the city’s electronic and club scene, and that influence is unmistakable. Working closely with Jagwar Ma’s Jono Ma, he fused the raw energy of iconic venues like Berghain with an inviting warmth. Tracks like “Nothing’s Lost” envelop listeners in lush, layered soundscapes while Mandagi gently repeats, “Nothing’s lost in love…” It’s minimalist in its storytelling yet rich in mood, with mesmerizing rhythms and addictive melodies that make BLOODMOON’s music feel almost otherworldly.

BLOODMOON © James Adams

“I’m not always trying to convey some sort of message through my lyrics,” Mandagi explains. “Sometimes all I want is to help conjure up some kind of feeling or emotion in the listener.”

BLOODMOON certainly does that, diving straight into the listener’s emotional core. From the shadowy optimism of “Soon Baby, Soon” to the restless pulse of “Deeper,” the goosebump-inducing “As Time Goes By,” and the soaring, vulnerable release of “Disarm,” Giving Up Air offers a captivating first look at an artist in evolution.

For Mandagi, the road ahead is wide open. “It’s still very early days, so there’s a lot of creative spaces to explore,” he says.

The more I fight the more I sink
The more my struggles push me to the brink
My spirit dim and these eyes hang low
But the song of sirens beckon me to go
Deeper and deeper and deeper…

Reflections on the waters face
The shapes of someone I can’t seem to trace
And the rain is cold as the clouds hang low
But the songs of sirens beckon me to go
Deeper and deeper and deeper…

I’ll follow your voice, I’m blind in the light
I’ll follow the voices at night
I’ll follow your voice, I’m blind in the light
I’ll follow your voice

– “Deeper,” BLOODMOON

That said, the importance of this debut EP — and the foundation it lays — is not lost on him.

“My big takeaway from all this was a huge lesson in self-belief, and that no one will believe in you unless you believe in yourself,” Mandagi reflects. “It doesn’t have to be a big belief, but there has to be something… I’ve had to literally build my confidence up myself throughout this process. I basically had to fake it to make it. I also learned that I really thrive from positive feedback from others, but that waiting for that feedback is a slow and certain death. Never wait or expect motivation from others; being an artist is ultimately a solo sport.”

Mandagi has since left Kreuzberg, Germany, and returned to his native Indonesia. With the help of companies similar to manhattan movers, he settled in Bali a cultural and creative hotspot surrounded by tropical beauty where he filmed BLOODMOON’s latest music video for “As Time Goes By.” They also hired this full service movers near me and were satisfied with them!

“I’ve always wanted to shoot in Indonesia and tap into the pool of talent here,” he says. “There are so many stories to tell here. This is one of them, and hopefully the first of many.”

Poetic and haunting, Giving Up Air is a project built on exploration and restraint, on intimacy and vastness, on confronting the self and finding release. Step into Dougy Mandagi’s BLOODMOON world in our full interview below, and experience his mesmerizing debut EP wherever you stream your music.

Giving Up Air is out now via Liberation Records in partnership with Future Classic and UK label Eat Your Own Ears Recordings.

Glimpses of our lives flashing like movie stills
Every frame a storied rise and fall
All our memories laid out, all the spills and thrills
Did we do it justice,
Have we done it all?

As time goes by (Do we give enough)
As time goes by (Time is always out on us)
In the end, even this dream will turn to dust
As time goes by

Do you miss the feeling of waking up?
In another world so far from home
Berlin summer rain
Lingers when i close my eyes
Those days are behind us
But the memories so strong

– “As Time Goes By,” BLOODMOON

BLOODMOON: Probably when I played my first live shows early last month at BigSound. I think being out there in front of an audience and actually playing the songs felt more like an official introduction than just releasing music.

BLOODMOON: Bloodmoon sounds more like an open frontier to me. It’s still very early days so there’s a lot of creative spaces to explore, whereas Tempers feels much more defined in its identity.

BLOODMOON: So far my writing process has been very intentional, never overlapping the two projects together. That said, maybe one day I’ll write something that in the end doesn’t make the final cut in one project but could be reworked for the other. I’m open to anything.

BLOODMOON: The name came from a lyric off an early demo of mine. Back then the solo project was called motherboard. That name didn’t seem to resonate with as many people so I decided to try Bloodmoon on for size. It sounds more intriguing and people seemed to prefer it. As for what it means to me, it means a new beginning, a blank canvas to explore creative ideas that I otherwise wouldn’t be able to in The Temper Trap.

BLOODMOON: Choosing what song to lead with is never an easy task. Do I lead with what I like or do I try and guess the market? I’m not mad at leading with “Disarm,” but I suppose in the end it was more of a calculated move to start with a song that felt more immediate. That said, it’s all a guessing game. What people will connect with, or will not connect with, will forever remain a mystery in my opinion.

This brings us to Giving Up Air, your debut EP! Can you share a little about the story behind this record?

BLOODMOON: As far as EPs go, this release has been a very, very long time in the making. I’ve had two major stop-and-start moments that really slowed the process down, the first one being a last-minute decision, taken by me, to change the overall direction of the music – including the name. That really confused everyone and understandably pissed some people off. The second event that threw a spanner in the works not just for me but the whole entire planet was obviously COVID. It was just hard to find justification to put anything out in the middle of lockdown if you’re a new artist.

I’m glad I stuck it out though, and on a more positive note, overall this record feels like a timestamp in my creative journey. It feels like a person feeling his way through emotions and processing life and expressing it in a new and fresh way.

BLOODMOON: My vision was “art over everything.” That was my mantra and Northern Star, and I think I stayed true to that vision throughout the whole process. As for the songs themselves, some tracks have gone through quite an evolution from the raw demos to the final product, and I find that so exciting. It’s almost as if somewhere in the process the song grabs the wheel and says, “I’ll take it from here, thanks.” I usually come in the studio with a plan, but sometimes you just need to get out of the way and let the feeling of the song dictate where it ultimately arrives.

BLOODMOON: It’s the lyric that jumps out to me the most from the song “Disarm.” Since that track was to be the lead single, I thought it was a good idea to use that lyric hook for a title.

BLOODMOON: Hopefully it shows that I’m a versatile musician and artist. Until now, I’m most known for being the voice behind “Sweet Disposition.” Some people might be stoked with that title but I honestly have always had a chip on my shoulder about it. I want to be known as an artist, not just some guy with a good falsetto.

Giving up air
Laying it bare
Hoping my dreams will re appear
When everything I know is hanging on a prayer

BLOODMOON: I wrote it in the middle of a Berlin winter lockdown. The whole world was in a real state, never mind me and my little music project. I was really unsure of where it would end up and if the team I had around me were starting to seriously lose interest. It felt like there was 0 momentum behind Bloodmoon at that point. I needed to find some deep inner motivation to keep me going and so I made this track as a reminder to myself that sooner or later things were bound to get better.

Back against the beat
Desolation creeps
Back against the beat
Desolation creeps
Desolation, desolation

Soon baby, soon your chance is coming
Soon you’ll land on your feet
And all of the love you give is not wasted
Down a one-way street

I’ve been holding on for so long
Tell me can I get a witness
But I know my day will surely come
No more living in the darkness
They may tell me I ain’t strong
Keep my face down on the ground
But I know my day will surely come
Surely come, soon
Desolation, desolation

When I listen close to the lyrics of this record, I hear a very personal and intimate experience. What was your process of songwriting for this EP like, and what was your goal in terms of what you wanted to convey in the songs?

BLOODMOON: There were a lot of milestones and significant events that happened in the world and in my personal life during the making of this EP. I guess I just had a lot to write about. My goal was just to express myself in a new creative way and in a different musical context. I’m not always trying to convey some sort of message through my lyrics; sometimes all I want is to help conjure up some kind of feeling or emotion in the listener. I also prefer when the listener makes up their own interpretation of the songs. I don’t like talking about meanings behind my lyrics – I don’t want to ruin it for other people.

BLOODMOON: “Soon Baby Soon” is my favorite. everything about that track really resonates with me. Especially the brooding mood juxtaposed with hopeful lyrics in the chorus. Coming in second place would be “All in Place.” I loved collabing with Bearcubs on it and getting to finally incorporate some traditional Indonesian (my heritage) music into a song. The part is subtle but really added to the groove. I’ve wanted to do it for a long time but never had the right song. Creatively, these two tracks are my highlights.

What do you hope listeners take away from Giving Up Air? What have you taken away from creating it and now putting it out?

BLOODMOON: I just hope they enjoy it and make some good memories to it. I love listening to a song and being instantly transported back to a special time in my life, so I wish the same for other people listening to my music

On a personal note, the biggest lesson I’ve taken away from this is that self-belief is everything and no one else will believe in you if you don’t believe in yourself first. It doesn’t have to be overwhelming confidence, but there has to be something. People gravitate toward conviction, and I had to build mine from scratch, telling myself in the mirror, “You’re good, your ideas are great, you know better than them, you’ve done it before, you can do it again.”

I really did have to fake it until I made it. And while I’ve learned I thrive on positive feedback from others, I also know now that waiting for it is the fastest way to kill momentum. Never depend on others for your driv being an artist is a solo sport.